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Instruments and ensembles
The arched harp "Saung gauk"

The arched harp "Saung Gauk" is a relict of more than 5000 years in musical history. Maybe coming from Mesopotamia, it traveled through India all the way down to Southeast Asia.
It can only be found in Myanmar today and knows a rich tradition in the chamber music.

Please read more below:

Chapter 01: Introduction and History

Chapter 02: How to play and Tuning

Chapter 03: Videos and Scores


Please also check my Links and my Books + CDs
for more information on the Saung Gauk...

Chapter 01: Introduction and History
The Myanmar harp saung (or saung gauk) is an arched harp with 14 chords, actually rarely widened to 16 chords.
It consists of a hardwood body shaped like a boat, which is covered  with deer skin in which three or four resonating holes are cut
on a promising astrological occasion. The fourteen (to 16) nylon strings get tuned by pegs or bindings at the acacian neck of the harp.  

The player sits cross legged on the floor, places the boat shaped body on the right leg with the arch pointing to the right.  The right hand plucks the strings with the thumb and index finger while the left hand sometimes changes the pitch of a chord by pressing the thumb against it. The harpist follows the metre provided by the "si" and "wa" of the singer, improvising in the "ti kwe" melodical mode required by the piece performed. 
This is how it sounds like:

* sample (MP3, 1.3 MB) *    (played by me, used as backgroundmusic in Kevin Verelst's wonderful video here)

Even if the actual shape seems to differ from the pictures in reliefs at Pagan's walls we can assume that the saung is linked to a history of instrumental development which is very old:

Analogue models are shown on the walls of Angkor.
The existence of harps is manifested in musical history over a long time, first models date back to the year 3000 BC in Mesopotamia. From this first source it might have spread all over Africa and later Asia.

There have been several attempts to reconstruct a possible immigration to Burma from India, refering to the Indian "veena" principle
(for example 
Judith Becker), but the true origin of this very ancient instrument is still unknown and may stay speculative in nature.
Another interesting but still remaining unresearched fact is the appearance of other arched harps within Myanmars ethnic minorities and other similar instruments like the "
mi gyaun" zither of the Karen which is shaped like a crocodile.

The harp became a famous instrument in Myanmars chamber music tradition and is not easy to learn. It shares a modal usage of scales with several other instruments in India and Vietnam and knows a rich tradition of songs and tunings, dating back over 800 years.
Today only few artists remain who know how to play and tune this outstanding instrument.

Chapter 02: How to play and Tunings
Allthough the harp is played with only two fingers of the right hand it is not so easy to learn.
There are many different techniques and tunings to learn, like we will see below. 


There are several possibilities to tune the harp. Most of the ancient tunings are not used any more as the younger generation is not used to hear the difference in the quarter tone steps, so all of the four major tunings are arranged as a derivate of diatonic Western scales.
Here is an overview of the tunings used today:
Tunings

The strings of the harp consist of thread or yearn and are easy to be
rmade and attached (video).
Most of the harps sold today know tuning pegs like on a guitar, but sometimes some models still have the tuning tassels which require a lot of practise to tune a string correctly. 
Here you can find a video of my teacher showing me how to tune a harp with tassels.

Playing the harp also needs a lot of practise and requires a teacher for the best results!
The player sits cross legged on the floor, places the boat shaped body on the right leg with the arch pointing 
in front.  
The 
right hand plucks the strings with the thumb and index finger. It is very improtant that the hand stays flat and follows the direction of the strings upwards while playing. Plucking the strings should happen at the spots indicated red in the picture!
The 
left hand sometimes changes the pitch of a chord by pressing the thumb against it.

In the first lessons, the student learns:
- how to use 
index finger and thumb (video)
- how to use both fingers together (video)
- how to use suspension notes (video)
- how to  introduce suspension notes (video)
- how to use the important stop techniques (video)
and finally how to play the first easy 
pieces (see the next chapter)

Chapter 03: Videos and scores
Here you can find some scores (in PDF format) and videos (Youtube, performed by my teacher U Phone Myint)
Some pieces are more easy and suite the beginner while others need lots of practising. I hope you enjoy!

01:   "Si Ne War"    
                         score    video                       
02:   "Mya Man Gi Ri"                     score    video  
03:   "Sein Htwe Kyaw Nyung"      score    video  
04:   "Lu Ma Hnaw"                         score    video  
05:   "The whole midnight"             score    video  
06:   "Way Bar Ge Ri"                       score    video  
07:   "Taw Hnit Taung Swe"           score    video  
08:   "Tei Dar - Tei Dar"                   score    video  
09:   "Tha Yar - Tha Yar"                 score    video  
10:   "Thi Dar - Thi Dar"                  score    video  
11:   "Waiza Yandar"                       score    video   

Pictures (click to enlarge):

              

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